FTLI #48- Talking Weapons, Da Vinci, Space Gods

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Written by, James Smith
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Written by, Pete James Ford
Drawn by, Jed Dougherty 
Published by, Resolution Independent Comics















Written & drawn by, Pat Aulisio
Published by, Hic & Hoc








Written by, Justin Jordan
Drawn by, Eleonora Carnili
Published by, Aftershock Comics













Written & drawn by, Kate Leth
Listen to Kate's podcast Less Than Live
Check out the webcomc Kate or Die
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Written by, Paul Allor
Drawn by, Chris Evenhuis
Published by, Aftershock Comics











Written & drawn by, 











Written by, Sarah Vaughn
Drawn by, Leila Del Duca
Published by, Image Comics













Written by, Fred Van Lente
Drawn by, Stephen Segovia
Published by, Valiant Comics







Releases on January 17th, 2018


Monster No More

An article by, Aaron Burton


I often wonder what draws us to villains. The bad guys are often more than just an obstacle for our favorite heroes to overcome. They show us the flaws in our heroes. Since our protagonists are often the utopian version of how people should act, the villains often show us flaws in ourselves and our own philosophies. They dig under the surface to find the ugly beneath the self-righteous facade. Other times they are just plain awesome.

Bedlam is written by Nick Spencer with art by Riley Rossmo. The book is published by Image Comics. The first issue premiered in May of 2013. There are currently eleven issues of Bedlam which are also available in two trade paperbacks. The book is currently on hiatus with the finale of the second arc being released in January of 2014.


The story in Bedlam revolves around a man named Fillmore Press. He is much more famous under his alias Madder Red, the most prolific criminal serial killer in the town's history. After faking his own death and undergoing a plethora of underground medical treatments, Press is finally ready to begin living a more righteous life. In order to give back to his community, Press finds himself working a police consultant. His vast knowledge of crime and killing gives him an advantage when it comes to getting into the minds of Bedlam's other criminals.

Bedlam contains some of the most powerful flashback sequences I have seen in my recent reading history. Most chapters of the story end with a flashback of Fillmore as Madder Red. With Fillmore trying to turn his life around, it is extremely important that we as readers are constantly reminded of his truly horrific past as Madder Red. Press is an awkward and calm individual, whereas Madder Red is an outspoken and violent psychopath. Press' character development would not be nearly as powerful without these constant reminders.


Under the surface of the book we seem to have a story surrounding how society and culture affect people's mindsets and freedoms. Bedlam's Catholic Church spoke out against Madder Red, but at the same time was controlling a killer army of altar boys. A rash of mindless suicides seems to be the working of a cult leader bend on releasing people from society's grasp. The villains in Bedlam operate outside of societal norms and forces readers to think about the implications. Do we feel bad for the people who have been murdered, or are the true victims those still alive who are under the thumb of society's masters? We are left to wonder if Madder Red is Fillmore's true self, or is his newfound identity who he is meant to be. This may be reading too far into things, but his name is Fillmore Press (fill more press) and he is no longer in the business of making headlines and creating the chaos that reinforces people's need for social order.


The artwork in Bedlam is just as interesting as the story. Rossmo uses a variety of techniques to show shading and texture. Many of these elements are often seen blended together on a single page. We will see one character shaded with Ben-Day dots while another is scribble-shaded. The walls and buildings in the book are often textured with different patterns of splotches and splatters. Many of the panels also use a checkerboard pattern for shading. This really gives the Bedlam the gritty feels the story deserves.

I was very sad to find out that this book was on hiatus. I wanted a plethora of volumes to read. The character of Fillmore Press is one of the most interesting protagonists I have had the pleasure of learning about. I found Bedlam to be similar to other favorites of mine such as Nailbiter and The Black Monday Murders. Even though the story was left unresolved, the first two arcs offer a very fun ride. Bedlam is an exercise in the journey being just as good as the destination.


FTLI #47- Phone Calls, Heists, Vampires

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Written by, Jessi Eichberger
Drawn by, Chechula
Find out more about The Author's Apprentice
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Collected & drawn by, Matthew Houston
Read Phone Book here


















Written by, Miles Gunter 
Drawn by, Kelsey Shannon 
Published by, Image Comics



















Written & drawn by, Peter Faecke
Published by, Hidden Fortress Press



















Written by, Pat Shand
Drawn by, Manuel Preitano


















Written by, Jon Westhoff & Harry Moyer
Drawn by, Harry Moyer
Published by, King Bone Press


















Written & drawn by, Leda Zawacki
Published by, Tinto Press


















Check out the Comixology for a complete contributer list
Published by, Iron Circus Comics












Comic releases on January 10th, 2018


FTLI #46- Video Games, Catboys, Desire


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Writer: Michael Tanner
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Writer/Artist: Ben Passmore
Publisher: Silver Sprocket
Buy Goodbye










Artist: Jack McGowan
Publisher: Ten Speed Press










Writer/Artist: Carolyn Nowak
Publisher: Silver Sprocket









Writer: Dave Baker (main story), Rose Knight
Artist: Nicole Goux (main story), Tori Gonzales, Erika SjuleAndrea Bell






Writer/Artist: Benji Nate
Publisher: Silver Sprocket
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Writer/Artist: Nicole J. Georges
Publisher: Mariner
Buy Fetch











Comic Releases: January 3rd, 2018